Tuesday, March 19, 2019

Histrionic Personality Disorder, Case vignette (1)


A CASE OF Histrionic Personality Disorder


By: THEODORE MILLON et al.

Notes:

(1) Numbers mark aspects of the case most consistent with DSM criteria as follow, and do not necessarily indicate that the case “meets” diagnostic criteria in this respect.
(2) Patient's name has been changed in respect to confidentiality, and names mentioned are not of a real existent person.

Case of Yvonne

Yvonne is a 23-year-old, single female referred for psychological assessment by her gynecologist. She is outgoing and effusive, “dressed to kill,” and yet coquettishly reluctant to disclose the nature of her difficulties.(4) When directly asked, she avoids open discussion and seems to free associate to any number of topics, some happy, some sad, but all tangential to the clinical interview. (3) She talks a lot, but doesn’t really say much. She states, for example, that she is on a first-name with her physician, that she has been a dancer since she was a little girl, and that she is “blessed” with countless good friends. (5)

After a period of direct questioning, Yvonne reveals that she has been experiencing debilitating pain continually for over half a year. “I just lay in bed and feel like I will absolutely expire!” she exclaims, closing her eyes and dropping her head forward to feign death. Extensive medical testing reveals no sufficient basis for her complaint. (6)

During the clinical interview, Yvonne’s nonverbal affectations are numerous. Her head is cocked slightly down, eyes wide with invitation. Her facial expressions, intended to underscore the meaning of her words, are exaggerated far beyond those of normal persons. (6) She skips quickly from one topic to another. Apparently theatrical by nature, she measures the reaction of her audience and adjusts her performance accordingly. She periodically throws out double entendres, but retreats to the safer, more demure meaning if others begin to act on her suggestions. (2) At times, she seems to parade through a succession of persons to find the one that best fits the role of therapy client.

Despite Yvonne’s interpersonal intensity, her history seems mostly unremarkable. She describes a happy and well-adjusted family, though she admits some conflict with her mother. Her two brothers, much older than she, still treat her like a baby. She remains very close to her parents, especially her father, and calls home on a daily basis. At present, she is not involved in a serious relationship, but notes with a giggle that “most boys find me very attractive.” Nevertheless, she feels that she has been unlucky in love, and openly admits that most guys “just want me for my body.” “I think I find it easy to get to know others,” she says, “and that’s why I get so bored with people so fast.” (8) Instead, she prefers the excitement of new experiences, including occasional episodes of intoxication and substance abuse.

Currently, Yvonne works as a dancer at an adult club, but asserts forcefully that she is different from the other girls, an artist plying her trade. When asked what drew her to this mode of expression, she says she likes the attention and the money, “two things I can’t do without.” (4)  She expresses disgust with both the after-hours practices of the other dancers and with the clientele. (1) Her family believes that she is teaching ballet. The source of her pain remains uncertain.

DSM-IV Criteria

A pervasive pattern of excessive emotionality and attention seeking, beginning by early adulthood and present in a variety of contexts, as indicated by five (or more) of the following:
(1) is uncomfortable in situations in which he or she is not the center of attention
(2) interaction with others is often characterized by inappropriate sexually seductive or provocative behavior
(3) displays rapidly shifting and shallow expression of emotions
(4) consistently uses physical appearance to draw attention to self
(5) has a style of speech that is excessively impressionistic and lacking in detail
(6) shows self-dramatization, theatricality, and exaggerated expression of emotion
(7) is suggestible, i.e., easily influenced by others or circumstances
(8) considers relationships to be more intimate than they actually are

References


(1) Personality Disorders in Modern Life, second edition, 2000, 2004 by John Wiley & Sons, Inc.
(2)Diagnostic and Statistical Manual of Mental Disorders, Fourth Edition. Copyright 1994 American Psychiatric Association.

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